FUJIFILM's GFX ETERNA 55 camera offers a comprehensive project setting menu, a key feature for any production setup. This menu allows users to fine-tune image format, resolution, and frame rate options, all of which significantly impact the final video quality. The menu also includes settings for tone curves, dynamic range, and color science, enabling users to achieve optimal results with F-Log, HLG, and media recording settings. The PROJECT settings menu is a critical starting point for any production setup on the GFX ETERNA 55, and it's essential to understand its various options to ensure proper operation and optimal results.
The menu begins with the IMAGE FORMAT setting, which determines the active sensor area for capture. Users can choose from GF (full sensor width), Premista (tailored for FUJINON Premista zoom lenses), 35mm, anamorphic (35mm), and Super 35. Matching the selected image format to the lens coverage is crucial for proper operation. The RESOLUTION setting adjusts dynamically based on the chosen image format, offering options like 4K [4:3] open gate for GF, along with 16:9, 17:9, HD, and extended resolutions such as 5.8K. The PROJECT FPS setting determines the timeline frame rate for editing and distribution, which can differ from the recording frame rate.
The F-Log/HLG/RAW setting controls the tone curve and dynamic range captured in recorded files. One notable feature is FILM SIMULATION, which keeps the recording in Rec.709 color space while allowing users to select from 20 built-in FUJIFILM film simulations. These simulations provide pre-graded looks without the need for log-based color correction in post. For log workflows, the camera offers F-Log, F-Log2, and F-Log2 C, with F-Log2 and F-Log2 C sharing the same tone curve and dynamic range but differing in color gamut. F-Log2 uses F-gamut, equivalent to Rec.2020, while F-Log2 C employs FUJIFILM's proprietary F-gamut C color space, covering approximately 80% of the theoretical ACES color space.
The MEDIA REC section handles recording destinations, with CFexpress Type B cards in slot one, SD cards in slot two, and additional options like BACKUP, SEQUENTIAL, and SSD recording. The camera's rear USB-C port automatically detects connected solid-state drives, but users must format and initialize the SSD from within the camera before use. The FILE FORMAT setting offers MXF and MOV recording containers, with codec choices including H.265 4:2:2 in ALL-Intra and Long GOP flavors, as well as ProRes HQ, ProRes 422, and ProRes LT. A proxy recording option is available when ProRes is enabled, with H.264 and ProRes Proxy as the two proxy formats.
The CLIP SETTING section allows users to assign a CAMERA ID, following the standard motion picture convention of lettering cameras A, B, C, D, and so on. The REEL NO setting maintains organized and traceable media management across the entire shoot. The FUJIFILM GFX ETERNA 55 is available to order for $16,499.95 or €13,285.30, and a link to the camera's spec sheet is provided for a consolidated technical overview. Users are encouraged to explore the FUJIFILM website for more information.
What are your thoughts on FUJIFILM's approach to menu organization and codec options on this camera? Feel free to share your opinions in the comments below!
